What a bunch of jerks. Goblin Cock totally stood us up and had their guitar techs do the interview, but those guys don’t know anything.
Seriously, what is Nick Reinhart thinking trying to put a fuzz on Lick Myheart’s pedalboard?
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“You want people to be comfortable, which is why my studio looks like my bedroom when I was seventeen,” says Joe Barresi.
Despite having nearly every piece of gear under the sun, there is little room for child’s play at Joe’s House of Compression. It’s strictly business. Even the fart mic. We’ll let “Evil” Joe explain...
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We visited the Automator’s San Francisco studio to watch the master at work doing what he does best - make sick beats...
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You know George Pajon, Jr. Whether he’s co-writing platinum hits with the Black Eyed Peas, producing, writing, or playing guitar for artists as varied as Sting, Ricky Martin, Macy Gray, Sérgio Mendez, or “Weird” Al Yankovic; touring the world with Fergie, or bringing down the house with his new hard rock band Cairo Knife Fight, you’ve heard his music...
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Whitney Petty, guitarist extraordinaire of Seattle’s Thunderpussy, is the first musician we’ve interviewed whose livelihood has been threatened by the Supreme Court, who counts Pearl Jam’s Mike McCready as a super fan, whose first stint playing was with Deerhunter – not too shabby for a first band – and who not only absolutely shreds on guitar but also kills it on bass and drums...
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The Data Corrupter’s analog circuitry gives it a rich, harmonically complex, and expressive musical voice with stable, instantaneous tracking, courtesy of its rock solid oscillators. How you use it is up to you. Below are audio examples of five cool sounds I’ve unlocked...
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What a trip. We invited San Diego instrumental riff worshipers Earthless to EQD HQ to tear through this ripping performance of “Violence of the Red Sea” off their album From the Ages, and the sound was monumental...
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There’s no doubt about it: Nick Reinhart (Tera Melos, Big Walnuts Yonder) is one of the most innovative guitarists working today, able to pull a dazzling array of never-before-heard sounds and dizzying glitch-inspired textures from his instrument, tap dancing away at a pedalboard while playing finger-twisting punk/prog riffs in odd time signatures like a mutant hybrid of Adrian Belew, Tom Morello, and Aphex Twin’s Richard D. James...
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Palmquist Studios is a treasure trove of vintage gear. “When I collect gear . . . I collect very slowly,” he says. “I like to build up pieces that I know are gonna last and be the sounds that I want and sounds that make my job easier. . . The Warden gets used on a lot of records,” he says. “[On] clean guitars, it keeps them punchy and articulate . . . [and] a little bit of the Grand Orbiter always gives that sense of space . . . [it’s] a nice little bit of je ne sais quoi..."
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Since 2005, Noveller’s Sarah Lipstate has been using effects pedals to transform her guitar into synthesizers, string quartets, and instruments we don’t even have names for yet...
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When we asked Juan Alderete (Halo Orbit, the Mars Volta, Racer X) what he planned to do for his clinic at EarthQuaker Day 2017, his response was “transverse the effected low end spectrum of the electric bass into your band’s sound.” We’re happy to say he delivered as promised.
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We met up with the LA-based heavy psych rockers before their show at Cleveland’s Beachland Ballroom to learn more about the gear behind their lysergic, acid-drenched guitar sound...
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Life on the road may be something that many musicians aspire to, but no one ever said it’s an easy life. Instead of listing the litany of horrific things we’ve heard from friends or lived through ourselves, we figured we’d gather some tips from Alicia Bognanno of Nashville grunge rockers Bully on how to survive the touring life...
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Shortly after the release of Big Walnuts Yonder, I met up with Watt at Cleveland’s Beachland Ballroom, where before and after soundcheck with his band the Jom & Terry Show, we talked about gear, collaboration in the internet age, and the making of Big Walnuts Yonder...
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Since 2007’s self-titled debut album, Atlanta punks The Coathangers have come a long way. The band started as four friends playing music together with no serious aspirations and a mortal fear of playing live...
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When CHON guitarist Erick Hansel wants to get dark, he steps on his Transmisser. “Whenever you hold a chord . . . this thing has this darkness about it. It’s, like, really awesome to hear it underlying, behind all the music,” he says...
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“The Warden compression pedal . . . is kinda like, crucial to our tone,” says CHON guitarist Mario Camarena.
We met up with Mario prior to CHON’s incredible sold-out performance at Cleveland’s legendary Agora Ballroom to learn how his pedalboard has leveled-up from having only three pedals, to the final boss-worthy behemoth it is today...
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The idea behind this particular effects chain is to let the bass guitar take the lead by using effects pedals to simulate a sound similar to the sequencer module of an analog synthesizer...
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Just as we get Isaiah plugged in and ripping (and man, the sound that afternoon was simply majestic - loud, spacious, wide open), a pair of park rangers pull up behind our vehicles and start heading our way...
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We caught up with Deltron 3030 guitarist Taka Tozawa at his rehearsal studio in a former naval base in San Francisco’s Bay View area to drool over his gargantuan collection of vintage Marshall amps and cabinets, including no fewer than three 8x10 cabs, and one “holy-grail” JTM-45... There’s not always room in the van (or trailer, or bus) for multiple Marshall full-stacks, so Taka counts on his Speaker Cranker overdrive to nail those cranked vintage amp tones on rented backline equipment.
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