On April 16th of this year I recorded a solo record entitled “Circulus”. A series of musical sketches and sequences that I shaped into instant compositions.Read More
Filtering by Tag: Afterneath
Mourning [A] BLKstar is a group that WILL make you stop and think. This musical composite defies genre, yet allows their influences to shine through loud and clear.Read More
Kicking off this thang, is an interview with Jonathan Nuñez of TORCHE. They have a new album out NOW called “Admission”, on Relapse Records. It’s a great spin, features EQD pedals big time, and you should check it out -as if you haven’t already!Read More
Akron’s goodtime indie-rockers Stems (featuring EQD wire wizard Justin Seeker on vocals and guitar) stopped by the studio to tear through this earworm of a track titled, appropriately enough, “Good Times…”Read More
“I want [the audience] to use all of their five senses. Forget about the daily life,” says guitarist/bassist Takeshi. To aid our forgetfulness, Takeshi plays through a monolithic array of Sunn and Orange amplifiers plus a pedalboard stuffed to capacity with boutique fuzz pedals, one-off noisemakers, Afterneath, Bit Commander, and Palisades.Read More
“It’s not musical and I like that,” says Justin Pearson.
For more than a decade Justin Pearson (Dead Cross, Retox, Head Wound City) and Joey Karam (One Day as a Lion) have attacked eardrums and melted faces with their deconstructed avant-grindcore assault as members of the Locust. We recently met up with Justin and Joey at an undisclosed Los Angeles locale to concoct some Plague Soundscapes of our own…Read More
It’s been fifteen years since Fugazi last performed, but their improvisational impulses remain intact in the Messthetics, a jazz-inspired group led by virtuoso guitarist Anthony Pirog and featuring Fugazi’s unmistakably muscular rhythm section of bassist Joe Lally and drummer Brendan Canty…Read More
In addition to being the EarthQuaker Devices house band, Relaxer may very well be the world’s first (and only) “Passive Progressive” rock band. I don’t know what it means, either...Read More
When we visited RYAT in Los Angeles, she treated us to this somber improvisation titled, “Resonation After the Earthquake Improv.” Here McGheehan’s dreamy vocal floats among subtle reverb-laden Fender Rhodes chords, courtesy of the Afterneath, while the Rainbow Machine (with all knobs set to noon) acts as a tasteful double tracking effect...Read More
Whitney Petty, guitarist extraordinaire of Seattle’s Thunderpussy, is the first musician we’ve interviewed whose livelihood has been threatened by the Supreme Court, who counts Pearl Jam’s Mike McCready as a super fan, whose first stint playing was with Deerhunter – not too shabby for a first band – and who not only absolutely shreds on guitar but also kills it on bass and drums...Read More
We caught up with Deltron 3030 guitarist Taka Tozawa at his rehearsal studio in a former naval base in San Francisco’s Bay View area to drool over his gargantuan collection of vintage Marshall amps and cabinets, including no fewer than three 8x10 cabs, and one “holy-grail” JTM-45... There’s not always room in the van (or trailer, or bus) for multiple Marshall full-stacks, so Taka counts on his Speaker Cranker overdrive to nail those cranked vintage amp tones on rented backline equipment.Read More
The brainchild of saxophonist Warren Walker, the Kandinsky Effect creates dark, groove-oriented, downtempo Jazz soundscapes anchored by the steady pulse of bassist Gael Petrina and drummer Caleb Dolister. The trio blends modern Jazz improvisation with electronic textures and beat-driven composition driven in part by Walker’s pioneering use of effects pedals with the saxophone...Read More
Cleveland’s Christa Ebert is a one-woman choir. As Uno Lady, she’s dazzled, confounded, and delighted audiences since 2007 with loop-based compositions for voice, found sounds, and effects pedals. Her avant-garde pop tunes combine doo-wop harmonies and ethereal soundscapes...Read More
“This is probably my favorite EarthQuaker pedal” says Isaiah Mitchell, pointing to his Dispatch Master.
“I think Daniel Lanois would like it. And I like Daniel Lanois...”Read More
“I think pedals in general helped me find my sound,” says Chelsea Wolfe.
When we visited Chelsea Wolfe at the Sargent House compound in Los Angeles last summer, we were awestruck by the striations of ugliness and beauty in her song “Survive.” And the volume. Lots and lots of volume. Each chord she plays and every note she sings hangs heavy and thick in the dry desert air like a cluster of tiny rainclouds gathering moisture, waiting to release thunder and lightning upon meeting a pocket of warm sky...Read More
Kurt Ballou's GodCity Studio is the central hub for crushing, oppressively awesome sounding heavy metal records by the likes of High On Fire, Helms Alee, Skeletonwitch, the Dillinger Escape Plan, and Torche. As if that weren't impressive enough, Ballou is also the guitarist in hardcore trailblazers Converge. And he has the greatest business card of all time...Read More
The Afterneath sounds a lot like it looks – a wizard in a cave in a box. You are the wizard – or sorceress, if you prefer – and the cave is your instrument’s signal, vast, expansive, and magical. Do you go inside? Roll a d20 to proceed!...Read More
All four of the new V2 pedals . . .Read More
Welcome to the EarthQuaker Devices Studio Series! Since so many of our favorite musical moments happen on recordings, we're peeling back the curtain and shining the spotlight on the men and women who use EarthQuaker Devices to help create new sounds and capture our favorite music on tape, hard drive, and ye olde wax cylinder...Read More