Low set up shop at EarthQuaker Studios to lay down two spine-tingling songs off of their newest SubPop release, “Double Negative”.Read More
Filtering by Tag: Rainbow Machine
When EQD circuit builder Josh Novak isn’t making pedals, he shreds with Akron-based prog-punks (and meme masters) Actual Form. “In The Food Court of the Crimson King” is a happy-meal sized nugget of rock - an entire 70s prog LP’s-worth of twists and turns stuffed into just under three-and-a-half-minutes and served on a toasted sesame seed bun…Read More
“It’s not musical and I like that,” says Justin Pearson.
For more than a decade Justin Pearson (Dead Cross, Retox, Head Wound City) and Joey Karam (One Day as a Lion) have attacked eardrums and melted faces with their deconstructed avant-grindcore assault as members of the Locust. We recently met up with Justin and Joey at an undisclosed Los Angeles locale to concoct some Plague Soundscapes of our own…Read More
The former Big Business guitarist and regular Melvins collaborator has a long history of engineering and/or producing top-tier rock bands - the bathroom in his Sound of Sirens studio is decorated with platinum records honoring his contribution to albums by Foo Fighters and Tool…Read More
“I’m a sick person,” confesses John Vanderslice.
He’s not wrong.
Vanderslice suffers from a terminal case of G.A.S. (Gear Acquisition Syndrome) and it’s spreading...Read More
In SQÜRL’s music, the twisted scraping of industrial wreckage (to my ears the byproduct of musician/filmmaker Jim Jarmusch’s northeast Ohio upbringing) gives way to uneasy drones seemingly stuck in time like crestfallen Lake Erie tides fighting a losing battle against subzero temperatures before resolving at last into saturated but sparkling reverberated arpeggios. It’s what The Good, The Bad, and The Ugly might have sounded like if Ennio Morricone booked studio time with Steve Albini and hired Sunn O))) as session musicians...Read More
In addition to being the EarthQuaker Devices house band, Relaxer may very well be the world’s first (and only) “Passive Progressive” rock band. I don’t know what it means, either...Read More
“[Pedals] inspire me to do things differently. It’s such a big part of what I do and how I create,” says Paramore guitarist Taylor York.
We caught up with the guitarist of Nashville pop-punk sensations Paramore to check out the gear he uses to bring to life the band’s stadium-sized hooks stuffed with enough ear candy to make every day feel like Halloween.Read More
When we visited RYAT in Los Angeles, she treated us to this somber improvisation titled, “Resonation After the Earthquake Improv.” Here McGheehan’s dreamy vocal floats among subtle reverb-laden Fender Rhodes chords, courtesy of the Afterneath, while the Rainbow Machine (with all knobs set to noon) acts as a tasteful double tracking effect...Read More
The Evil has landed. We caught up with Queens of the Stone Age guitarist and lap steel player Troy Van Leeuwen to take a look at his multi-amp setup combining the best of modern signal routing with the immediacy of old-school, “pedals on the floor” plug-and-play rock and roll raunchiness...Read More
Since 2005, Noveller’s Sarah Lipstate has been using effects pedals to transform her guitar into synthesizers, string quartets, and instruments we don’t even have names for yet...Read More
Ben Vehorn is on the short list of EarthQuaker Devices employees that has been with the company since our days as a fledgling basement operation. He spent many years riding the “Night Train...”Read More
San Diego’s CHON writes intricate, ultra-linear fusion-inspired math rock, but with a twist. You can dance to it...We caught up with guitarists Mario Camarena and Erick Hansel shortly after tracking had wrapped to discuss the making of the album, and find out how they fared upon entering the Wide World of Effects Pedals for the first time in the band’s eight-year history.Read More
We caught up with the Circa Survive guitarist at the legendary Agora Theater in Cleveland, Ohio, where the band celebrated the 10th anniversary of their album On Letting Go to nerd out on gear. And nerd out we did...Read More
Every cloud has a silver lining. Cliché? Sure, but it seems to ring true for Los Angeles (by way of Louisiana, Austin, and Brooklyn) based guitarist and composer Sarah Lipstate.
Better known as Noveller, Lipstate has a habit of spinning the straw of her personal tragedies into the golden threads with which she weaves her musical tapestries...Read More
"It's like they add ghosts to your machine," says Kid Koala.
We met up with Kid Koala (Deltron 3030, Gorillaz) at the LA Amp Show to twist some knobs and learn more about how he integrates effects pedals into DJ performances. And we got that. But we also got a lot more than that...Read More
Jon San Paolo, staff engineer, building manager, and "weekend guy" at Steve Albini's Electrical Audio shines some light on the "Electrical Method" and how he uses EarthQuaker Devices to save himself and his clients the heartache of trying to "fix it in the mix..."Read More
The Rainbow Machine is the black sheep of the EarthQuaker Devices family. It’s our red-headed step child, the wizard in the cupboard under the stairs, the one Device to rule them all; the audio equivalent of a map to Luke Skywalker that’ll take your tone to the twilight zone, open your third eye, tickle your lizard brain, and fire up your Improbability Drive faster than you can say “Zaphod Beeblebrox...”Read More
Hello pedal enthusiasts. Nick Reinhart here, doing some guest blogging for EarthQuaker Devices. Some of you may know me from my music, namely Tera Melos, or my work with Zach Hill, or possibly a new band I have with Nels Cline, Mike Watt, and Greg Saunier called Big Walnuts Yonder...Read More