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350 West Bowery Street
Akron, OH, 44307
United States

(330) 252-9220

Official website for EarthQuaker Devices. We build guitar effects by hand in the quaint landlocked city of Akron, Ohio.

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Filtering by Tag: pedals

Show Us Your Junk! Ep. 14 - Ross Robinson (KoRn, Slipknot, At the Drive In)

Aaron Rogers

Producer Ross Robinson brings life to the dead. Dubbed the “godfather of nü-metal,” his raw, unvarnished production on albums by KoЯn, Slipknot, and Sepultura redefined heavy metal by stripping away the glitz and glamour of hair bands still partying on the Sunset Strip in favor of a new sound marked by anger, intensity, and honesty…

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Show Us Your Junk! Ep. 12 - Vox Recording Studios

Aaron Rogers

“Anything that resonates, it sticks with you. Then you’re like, ‘I have to have it’ because it’s like a beautiful dream.”

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EarthQuaker Devices Meets Tame Impala's Cameron Avery

Anna Blumenthal

"I want to make a love song that's like when Arnold Schwarzenegger has to kill himself at the end of Terminator." - Cameron Avery

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EarthQuaker Session: The Beyonderers - "Science Friction"

Aaron Rogers

Akron, Ohio gets a lot of credit for being LeBron James’ hometown. More impressive still is the fact that we’re also home to the world’s heaviest surf band, The Beyonderers. Not too shabby considering Lake Erie is our only surfable body of water. Put a championship ring on that, why don’t you?

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EarthQuaker Session: Kaitlin Wolfberg - "Lazy Bones"

Aaron Rogers

Kaitlin Wolfberg’s violin transcends time and space. The prominent Los Angeles-based musican (whose recording credits include spots on albums by Dweezil Zappa and The dB’s) was kind enough to dazzle us with this performance of her tune “Lazy Bones,” recorded live at Juan Alderete’s 5 Starr Sound Labs...

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Juan Alderete Bass Clinic - EarthQuaker Day 2017

Aaron Rogers

When we asked Juan Alderete (Halo Orbit, the Mars Volta, Racer X) what he planned to do for his clinic at EarthQuaker Day 2017, his response was “transverse the effected low end spectrum of the electric bass into your band’s sound.” We’re happy to say he delivered as promised.

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Show Us Your Junk! Ep. 3 - Taka Tozawa (Deltron 3030)

Aaron Rogers

We caught up with Deltron 3030 guitarist Taka Tozawa at his rehearsal studio in a former naval base in San Francisco’s Bay View area to drool over his gargantuan collection of vintage Marshall amps and cabinets, including no fewer than three 8x10 cabs, and one “holy-grail” JTM-45... There’s not always room in the van (or trailer, or bus) for multiple Marshall full-stacks, so Taka counts on his Speaker Cranker overdrive to nail those cranked vintage amp tones on rented backline equipment.

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Tech Talk with Joe Golden: The Diatonic Major Scale

Joe Golden

Most Western music is comprised of 12 tones or notes. I always think of them of as ingredients in a recipe. Each tone responsible for lending its flavor to the dish. To be less hippy-dippy about it, each note has a relationship with the other notes in the scale, and some are tasty when paired...

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Arun Bali Can't Slow Down

Anna Blumenthal

It wouldn’t be farfetched to imagine that the title of Saves The Day’s 1998 debut album, Can’t Slow Down, was inspired by Arun Bali. Bali, guitarist for the long-running New Jersey-based emo band, is one busy dude.

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Board to Death Ep. 3 - Nick Reinhart (Tera Melos, Big Walnuts Yonder)

Aaron Rogers

We met up with Tera Melos / Big Walnuts Yonder guitar wrangler Nick Reinhart at Juan Alderete’s 5 Starr Sound Labs to dig into a few of his favorite settings on the Bit Commander, Transmisser, and Avalanche Run. As if having killer guitar chops weren’t enough, Reinhart has made a name for himself as a tone-tweaker conjuring expressive and bizarre sounds from any pedal he touches. Today is no different...

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EarthQuaker Session: Chelsea Wolfe - "Survive"

Aaron Rogers

“I think pedals in general helped me find my sound,” says Chelsea Wolfe.

When we visited Chelsea Wolfe at the Sargent House compound in Los Angeles last summer, we were awestruck by the striations of ugliness and beauty in her song “Survive.” And the volume. Lots and lots of volume. Each chord she plays and every note she sings hangs heavy and thick in the dry desert air like a cluster of tiny rainclouds gathering moisture, waiting to release thunder and lightning upon meeting a pocket of warm sky...

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