San Diego’s CHON writes intricate, ultra-linear fusion-inspired math rock, but with a twist. You can dance to it...We caught up with guitarists Mario Camarena and Erick Hansel shortly after tracking had wrapped to discuss the making of the album, and find out how they fared upon entering the Wide World of Effects Pedals for the first time in the band’s eight-year history.
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Eternal Summers craft glistening bite-sized nuggets of summery dream-pop like sunshine poking through clouds on a rainy day...
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The brainchild of saxophonist Warren Walker, the Kandinsky Effect creates dark, groove-oriented, downtempo Jazz soundscapes anchored by the steady pulse of bassist Gael Petrina and drummer Caleb Dolister. The trio blends modern Jazz improvisation with electronic textures and beat-driven composition driven in part by Walker’s pioneering use of effects pedals with the saxophone...
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My name is Aaron Rogers and I play the bass guitar. I do copywriting & PR for EarthQuaker Devices, which means I'm responsible for most of the silliness which takes place on our social media . . .
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We caught up with the Circa Survive guitarist at the legendary Agora Theater in Cleveland, Ohio, where the band celebrated the 10th anniversary of their album On Letting Go to nerd out on gear. And nerd out we did...
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It is the Monday after the weekend haze of Desert Daze and we are all, justifiably, in slow motion. Jonathan Hischke, our landlord and tour guide for the weekend, makes us coffee and we lounge on his porch watching him toss bird seed out into the desert that surrounds his secluded oasis...
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DIs have one job: they take your bass’ unbalanced high-impedance instrument level output and convert it to the balanced, low-impedance microphone level signal required by the mixing console.
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Nick Semrad is a sonic titan blazing new trails for keyboardists. Whether he’s onstage with Cory Henry & the Funk Apostles or ticklin’ the ivories with Ms. Lauryn Hill, Semrad is an audio explorer, a mad scientist conducting ultra-funky experiments in a laboratory of keyboards and a few well-chosen effects pedals, synthesizing new compounds scientifically proven to enhance your groove...
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After a string of Northeast solo tour dates last month, I met up with Greg Cartwright in Brooklyn’s Prospect Heights, just down the block from Norton Records’ HQ where he was staying. If there’s such a thing as garage rock royalty, Cartwright is it. He formed The Compulsive Gamblers in Memphis in 1990 with Jack Yarber, and then The Oblivians just a few years later...
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Cleveland’s Christa Ebert is a one-woman choir. As Uno Lady, she’s dazzled, confounded, and delighted audiences since 2007 with loop-based compositions for voice, found sounds, and effects pedals. Her avant-garde pop tunes combine doo-wop harmonies and ethereal soundscapes...
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David Catching’s Rancho De La Luna sits atop hallowed ground. The recording studio (which doubles as Catching’s private residence, so keep out!) is the musical oasis from which flows the sandy lifeblood of Southern California’s thriving desert rock scene, giving rise to albums by the likes of Kyuss, Queens of the Stone Age, and Eagles of Death Metal. The new sacred texts of rock n’ roll...
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Plan, layout, and assemble your own pedalboard with EQD's own pedalboard mastermind, Joe Golden!
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If you’ve ever been to NAMM, then you know just how overwhelming it can be. This year, one voice rose above the cacophonous din of ten-thousand eighteen-string coffee-table basses slapped in disharmony. That voice belongs to Vanessa Wheeler of Leo*Leo.
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“This is probably my favorite EarthQuaker pedal” says Isaiah Mitchell, pointing to his Dispatch Master.
“I think Daniel Lanois would like it. And I like Daniel Lanois...”
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Every cloud has a silver lining. Cliché? Sure, but it seems to ring true for Los Angeles (by way of Louisiana, Austin, and Brooklyn) based guitarist and composer Sarah Lipstate.
Better known as Noveller, Lipstate has a habit of spinning the straw of her personal tragedies into the golden threads with which she weaves her musical tapestries...
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When Jamie announced that our NAMM release this year was a dark modulated delay, my ears perked up immediately. My internal monologue (in between thoughts about Geddy Lee) would have read something like this...
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"It's like they add ghosts to your machine," says Kid Koala.
We met up with Kid Koala (Deltron 3030, Gorillaz) at the LA Amp Show to twist some knobs and learn more about how he integrates effects pedals into DJ performances. And we got that. But we also got a lot more than that...
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“I think pedals in general helped me find my sound,” says Chelsea Wolfe.
When we visited Chelsea Wolfe at the Sargent House compound in Los Angeles last summer, we were awestruck by the striations of ugliness and beauty in her song “Survive.” And the volume. Lots and lots of volume. Each chord she plays and every note she sings hangs heavy and thick in the dry desert air like a cluster of tiny rainclouds gathering moisture, waiting to release thunder and lightning upon meeting a pocket of warm sky...
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Calling Joe Barresi “Evil” is like calling a big guy “tiny” - it doesn’t fit. Take one listen to his drum sounds though, and it all makes sense. The albums he makes are heavy...
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When we pulled this thing out of the Upside Down back in October, it was hotter than a stack of Eggo waffles, nailing those creepy Stranger Things vibes with its extra resonant, highly modulated filter swept ambience...
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