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350 West Bowery Street
Akron, OH, 44307
United States

(330) 252-9220

Official website for EarthQuaker Devices. We build guitar effects by hand in the quaint landlocked city of Akron, Ohio.

Blog Posts

 

 

The Black Angels’ Kyle Hunt: “My main goals were to buy a Moog synthesizer and a BMX bike.”

Anna Blumenthal

I wanted to move away from home, get a BMX bike, and a Moog. Those were the two things that were on my list, and those were the first two things that I did.

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Bully’s Alicia Bognanno is Winning

Anna Blumenthal

For someone who didn’t grow up with grunge or ‘90s alternative rock, Alicia and her bandmates in Bully have managed to make one of the most exciting, ‘90s grunge/alternative rock records I’ve heard since – well, the ‘90s. Maybe even before that…

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The Messthetics’ Anthony Pirog on Influence & Improvisation

Aaron Rogers

It’s been fifteen years since Fugazi last performed, but their improvisational impulses remain intact in the Messthetics, a jazz-inspired group led by virtuoso guitarist Anthony Pirog and featuring Fugazi’s unmistakably muscular rhythm section of bassist Joe Lally and drummer Brendan Canty…

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EarthQuaker Session: Hot Snakes - "Death Doula"

Aaron Rogers

Ladies and gentlemen, it is our distinct and perverse pleasure to present newly resurrected Sub Pop recording artists and The World’s Greatest Living Rock ‘n Roll Band™, Hot Snakes, performing an extra special “wet & wiggly” rendition of their interdimensional #1 smash-hit, “Death Doula,” from the album Jericho Sirens...

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EarthQuaker Devices Meets Tame Impala's Cameron Avery

Anna Blumenthal

"I want to make a love song that's like when Arnold Schwarzenegger has to kill himself at the end of Terminator." - Cameron Avery

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Countdown to Levitation

Anna Blumenthal

If you weren’t sure how psyched we are to be involved with Levitation, the psych fest taking place in Austin April 26-29, we named a pedal after it.

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Board to Death: Spotlights' Sarah Quintero

Aaron Rogers

Spotlights are loud. We caught up with bassist Sarah Quintero before the band’s performance at Mahall’s in Lakewood, OH, to shine a light on the deluge of distortion and fuzz pedals she uses to saturate the low frequencies which drive the trio’s sludgy shoegaze riffs straight into your skull.

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Show Us Your Junk! - John Vanderslice's Tiny Telephone Recording

Aaron Rogers

“I’m a sick person,” confesses John Vanderslice.

He’s not wrong.

Vanderslice suffers from a terminal case of G.A.S. (Gear Acquisition Syndrome) and it’s spreading...

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Gettin' Weird With Har Mar Superstar

Aaron Rogers

Har Mar Superstar are experts when it comes to gettin’ weird. We met up with Mr. Superstar himself, Sean Tillman, and trumpeter Jake Baldwin to see what might happen if we paired up a handful of our wildest Devices with trumpet and vocals...

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Board to Death: SQÜRL's Jim Jarmusch & Carter Logan

Aaron Rogers

In SQÜRL’s music, the twisted scraping of industrial wreckage (to my ears the byproduct of musician/filmmaker Jim Jarmusch’s northeast Ohio upbringing) gives way to uneasy drones seemingly stuck in time like crestfallen Lake Erie tides fighting a losing battle against subzero temperatures before resolving at last into saturated but sparkling reverberated arpeggios. It’s what The Good, The Bad, and The Ugly might have sounded like if Ennio Morricone booked studio time with Steve Albini and hired Sunn O))) as session musicians...

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Aaron's Bass Hole: Left of the Dial - 17 Top Tracks by EarthQuaker Artists

Aaron Rogers

Here's seventeen of my favorite tracks by EarthQuaker Devices artists, in no particular order. I tried to pick current tunes that are a good starting point for each artist, but sometimes old favorites die hard...

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Board to Death: Paramore's Taylor York

Aaron Rogers

“[Pedals] inspire me to do things differently. It’s such a big part of what I do and how I create,” says Paramore guitarist Taylor York.

We caught up with the guitarist of Nashville pop-punk sensations Paramore to check out the gear he uses to bring to life the band’s stadium-sized hooks stuffed with enough ear candy to make every day feel like Halloween.

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Show Us Your Junk! - Mario Caldato (Beastie Boys, Jack Johnson)

Aaron Rogers

It’s not every day we get invited to kick it with producers immortalized in Beastie Boys lyrics. We met up with Paul’s Boutique, Check Your Head, Ill Communication, and Hello Nasty engineer / producer Mario Caldato at his Hollywood home studio to dig through his endless collection of gear, in search of the perfect party rockin’ piece. And we found something...

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Board to Death: Pallbearer's Brett Campbell & Devin Holt

Aaron Rogers

“For live stuff, I stick with pedals that are going to be the most useful,” says Pallbearer’s Brett Campbell. As the frontman for the Arkansas sludgelords, Campbell’s ideal tone is much like his powerful vocal delivery, “heavy…warm, and clear.” To achieve his signature sound, Campbell needs gear that can keep up with his low A-E-A-D-F#-B tuning. “[The Hoof] is very controllable for a fuzz,” he says...

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EarthQuaker Session: The Beyonderers - "Science Friction"

Aaron Rogers

Akron, Ohio gets a lot of credit for being LeBron James’ hometown. More impressive still is the fact that we’re also home to the world’s heaviest surf band, The Beyonderers. Not too shabby considering Lake Erie is our only surfable body of water. Put a championship ring on that, why don’t you?

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EarthQuaker Session: Kaitlin Wolfberg - "Lazy Bones"

Aaron Rogers

Kaitlin Wolfberg’s violin transcends time and space. The prominent Los Angeles-based musican (whose recording credits include spots on albums by Dweezil Zappa and The dB’s) was kind enough to dazzle us with this performance of her tune “Lazy Bones,” recorded live at Juan Alderete’s 5 Starr Sound Labs...

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Board to Death: Dean Fertita (Queens of the Stone Age)

Aaron Rogers

Finding a guitar sound that sits well in the mix is vital for Queens of the Stone Age multi-instrumentalist Dean Fertita. He takes flight on the (now discontinued, sadly) Monarch overdrive, using its active Treble and Bass controls to cut and boost his way into the dense three-guitar conversation without speaking out of turn, so to speak...

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