We talk about the band’s origins, influences, the paranormal and supernatural, and that Iggy Pop-eating-a-hamburger video, because, if you did a video featuring Iggy Pop eating a hamburger, wouldn’t you want to talk about it too?Read More
Happy Holidays from And So I Watch You From Afar and EarthQuaker Devices, what a mouthful! Now get ready for an earful of Arpanoid...Read More
In this episode of Board to Death, Matt McJunkins shares his philosophy when it comes to using effects for different purposes, and what is sweet enough to be in his chain.Read More
Celebration takes the name to heart. They rarely perform live, but each show is, well, a celebration. There’s usually a theme, and the band enlists their friends to transform DIY venues into hand-built spectacles rivaling any stadium show…Read More
“Step one in my sound,” says Larson, “is the Speaker Cranker. I have [it] on one-hundred percent of the time…It makes a not-so-great amp sound better.”Read More
In thirty short years, Sonic Youth produced one of the largest and most stimulating bodies of work of any American rock band…Read More
“I’m interested in how a new tool can inspire a new artistic creation. When I get a new pedal, I’m like, ‘Oh wow! I can figure out what this thing does,’ and I spend all this time tweaking knobs [and] learning the pedal, but maybe in that process you come up with a new riff, and that riff becomes a new song, and then that song takes on a life of its own.”Read More
The Aqueduct vibrato to be simple enough that you could treat it as a replacement for built-in amp vibrato, but deep enough to inspire new musical ideas, and if you really crank it, weird enough to be down for whatever.Read More
Since 1997, MATMOS have pushed the boundaries of what would soon be called “intelligent dance music” beyond the natural limits of self-contained software and circuitry by using found objects…Read More
Nels has multiple pedalboards, but today we’re looking at “the big one,” which is actually two small pedalboards stacked neatly inside a Pelican case to save space, because this is New York City, folks…Read More
“This is a historical place and people should know the history of it,” says Different Fur Studios owner Patrick Brown.
It’s true -- the discography of the San Francisco-based recording studio reads like a list of the most influential albums of all time.Read More
Akron’s goodtime indie-rockers Stems (featuring EQD wire wizard Justin Seeker on vocals and guitar) stopped by the studio to tear through this earworm of a track titled, appropriately enough, “Good Times…”Read More
Producer Ross Robinson brings life to the dead. Dubbed the “godfather of nü-metal,” his raw, unvarnished production on albums by KoЯn, Slipknot, and Sepultura redefined heavy metal by stripping away the glitz and glamour of hair bands still partying on the Sunset Strip in favor of a new sound marked by anger, intensity, and honesty…Read More
“I want [the audience] to use all of their five senses. Forget about the daily life,” says guitarist/bassist Takeshi. To aid our forgetfulness, Takeshi plays through a monolithic array of Sunn and Orange amplifiers plus a pedalboard stuffed to capacity with boutique fuzz pedals, one-off noisemakers, Afterneath, Bit Commander, and Palisades.Read More
When EQD circuit builder Josh Novak isn’t making pedals, he shreds with Akron-based prog-punks (and meme masters) Actual Form. “In The Food Court of the Crimson King” is a happy-meal sized nugget of rock - an entire 70s prog LP’s-worth of twists and turns stuffed into just under three-and-a-half-minutes and served on a toasted sesame seed bun…Read More
If you’re opening a recording studio there are two things you should know:
Location is everything.
Great drum sounds are also everything.
Dan Joeright’s Gatos Trail Recording Studio in beautiful Yucca Valley, CA has both. Housed within an antique barn surrounded by spellbinding desert wilderness, Gatos Trail is a destination for artists like synth-pop phenomenon Twin Shadow, bass-and-drums bashers Big Business, noise rock brutalists Unsane, and nebulous post-punk group The Mekons…Read More
“It’s not musical and I like that,” says Justin Pearson.
For more than a decade Justin Pearson (Dead Cross, Retox, Head Wound City) and Joey Karam (One Day as a Lion) have attacked eardrums and melted faces with their deconstructed avant-grindcore assault as members of the Locust. We recently met up with Justin and Joey at an undisclosed Los Angeles locale to concoct some Plague Soundscapes of our own…Read More
“Anything that resonates, it sticks with you. Then you’re like, ‘I have to have it’ because it’s like a beautiful dream.”Read More
“It’s a lot of fun. Growly. Nice. Like it. Love it. Awesome.”
Elle Puckett of Eisley and Maggie Rogers’ touring band calls upon a carefully selected collection of boutique stompboxes including the Avalanche Run, Spatial Delivery, and the occasional Altiods tin to craft the ambient tones for which she is known.Read More
The former Big Business guitarist and regular Melvins collaborator has a long history of engineering and/or producing top-tier rock bands - the bathroom in his Sound of Sirens studio is decorated with platinum records honoring his contribution to albums by Foo Fighters and Tool…Read More