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350 West Bowery Street
Akron, OH, 44307
United States
+1 330 252-9220
Official website for EarthQuaker Devices. We build guitar effects by hand in the quaint landlocked city of Akron, Ohio.
Ladies and gentlemen, it is our distinct and perverse pleasure to present newly resurrected Sub Pop recording artists and The World’s Greatest Living Rock ‘n Roll Band™, Hot Snakes, performing an extra special “wet & wiggly” rendition of their interdimensional #1 smash-hit, “Death Doula,” from the album Jericho Sirens...
Read More“It’s the pedal I really learned how to build pedals on,” says Jamie Stillman...
Read More"I want to make a love song that's like when Arnold Schwarzenegger has to kill himself at the end of Terminator." - Cameron Avery
Read MoreSpotlights are loud. We caught up with bassist Sarah Quintero before the band’s performance at Mahall’s in Lakewood, OH, to shine a light on the deluge of distortion and fuzz pedals she uses to saturate the low frequencies which drive the trio’s sludgy shoegaze riffs straight into your skull.
Read More“I’m a sick person,” confesses John Vanderslice.
He’s not wrong.
Vanderslice suffers from a terminal case of G.A.S. (Gear Acquisition Syndrome) and it’s spreading...
Read MoreHar Mar Superstar are experts when it comes to gettin’ weird. We met up with Mr. Superstar himself, Sean Tillman, and trumpeter Jake Baldwin to see what might happen if we paired up a handful of our wildest Devices with trumpet and vocals...
Read MoreIn SQÜRL’s music, the twisted scraping of industrial wreckage (to my ears the byproduct of musician/filmmaker Jim Jarmusch’s northeast Ohio upbringing) gives way to uneasy drones seemingly stuck in time like crestfallen Lake Erie tides fighting a losing battle against subzero temperatures before resolving at last into saturated but sparkling reverberated arpeggios. It’s what The Good, The Bad, and The Ugly might have sounded like if Ennio Morricone booked studio time with Steve Albini and hired Sunn O))) as session musicians...
Read MoreIn addition to being the EarthQuaker Devices house band, Relaxer may very well be the world’s first (and only) “Passive Progressive” rock band. I don’t know what it means, either...
Read More“[Pedals] inspire me to do things differently. It’s such a big part of what I do and how I create,” says Paramore guitarist Taylor York.
We caught up with the guitarist of Nashville pop-punk sensations Paramore to check out the gear he uses to bring to life the band’s stadium-sized hooks stuffed with enough ear candy to make every day feel like Halloween.
Read MoreIt’s not every day we get invited to kick it with producers immortalized in Beastie Boys lyrics. We met up with Paul’s Boutique, Check Your Head, Ill Communication, and Hello Nasty engineer / producer Mario Caldato at his Hollywood home studio to dig through his endless collection of gear, in search of the perfect party rockin’ piece. And we found something...
Read More“For live stuff, I stick with pedals that are going to be the most useful,” says Pallbearer’s Brett Campbell. As the frontman for the Arkansas sludgelords, Campbell’s ideal tone is much like his powerful vocal delivery, “heavy…warm, and clear.” To achieve his signature sound, Campbell needs gear that can keep up with his low A-E-A-D-F#-B tuning. “[The Hoof] is very controllable for a fuzz,” he says...
Read MoreAkron, Ohio gets a lot of credit for being LeBron James’ hometown. More impressive still is the fact that we’re also home to the world’s heaviest surf band, The Beyonderers. Not too shabby considering Lake Erie is our only surfable body of water. Put a championship ring on that, why don’t you?
Read MoreKaitlin Wolfberg’s violin transcends time and space. The prominent Los Angeles-based musican (whose recording credits include spots on albums by Dweezil Zappa and The dB’s) was kind enough to dazzle us with this performance of her tune “Lazy Bones,” recorded live at Juan Alderete’s 5 Starr Sound Labs...
Read MoreFinding a guitar sound that sits well in the mix is vital for Queens of the Stone Age multi-instrumentalist Dean Fertita. He takes flight on the (now discontinued, sadly) Monarch overdrive, using its active Treble and Bass controls to cut and boost his way into the dense three-guitar conversation without speaking out of turn, so to speak...
Read MoreA little knowledge of color theory and perspective never hurt an aspiring painter, and the same applies when thinking about the basic audio concepts influencing signal routing and pedalboard layout.
Read MoreWhen we visited RYAT in Los Angeles, she treated us to this somber improvisation titled, “Resonation After the Earthquake Improv.” Here McGheehan’s dreamy vocal floats among subtle reverb-laden Fender Rhodes chords, courtesy of the Afterneath, while the Rainbow Machine (with all knobs set to noon) acts as a tasteful double tracking effect...
Read MoreI don’t think Mike Scheidt is going to like that we’re calling his interview “Ninja Powers”, because he is pretty much the most humble person I’ve ever met in my life. He’ll never utter a bad word about any person, band, or piece of gear, bristles when anyone says Yob is better than any other band, and even assured me at one point that he knows “exactly jack and shit...”
Read More“That Bias knob is everything,” says Queens of the Stone Age bassist Michael Schuman, pointing at his Dirt Transmitter. Since discovering the Dirt Transmitter as a suitable stompbox replacement for the timeless sound of the Ampex 351 preamp, it has earned a place in his rig in with both QOTSA and his band Mini Mansions...
Read MoreLuke Jones’ Custom Vintage Keys sits inside a nondescript industrial building just off the 5 in North Hollywood. A pinkish eggshell door reads, “CVKEYS,” in the kind of stick-on letters you might see on rusted out mailboxes dotted along rural Ohio roads. There’s no other signage. “This is my crazy shop of keyboard horrors,” Jones says, laughing. From where we’re standing, it looks more like the bottom of the rabbit hole and Jones is the Mad Hatter of vintage keyboards...
Read MoreThe Evil has landed. We caught up with Queens of the Stone Age guitarist and lap steel player Troy Van Leeuwen to take a look at his multi-amp setup combining the best of modern signal routing with the immediacy of old-school, “pedals on the floor” plug-and-play rock and roll raunchiness...
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